Change is the only constant in the world. The bigger the shift, the larger the opportunity. When people are coming from a place of scarcity and fear they hang on to what they know and miss the opportunity to embrace big change with creativity and intelligence.
The massive shifts in the record industry are creating fascinating opportunities for new business models and growth. The layoffs at EMI will hopefully result in a restructuring that brings the focus back to developing talent and creating new models for engaging consumers. In the early days of paid music downloads I was an advocate for very low per-track pricing (50 cents or less) as an approach to engaging consumers in this new way of accessing music. When industries create pricing structures based on old models they are looking backwards, not forward, and missing the opportunity to shift. See Seth Godin’s blog, ‘How much for digital?’ for a great read on this topic.
Monday, January 21, 2008
What happened to all the good music?
Much is being said these days about the huge changes in the record industry. Future business and marketing models have been endlessly discussed. Music piracy, the drop in CD sales and the bloated overhead of an industrybuilt on an international hit-driven model. The industry sustained itself for years getting consumers to replace their LP collections with CDs rather than focusing on developing innovative music.
What I’m not hearing about is the lack of compelling new music coming from the major labels. Even if the record business is able to adapt its practices, it is an industry based on imitation, not innovation. Without compelling music the most brilliant business models will still have nothing to sell.
There is a huge amount of great music popping up everywhere. The challenge is to filter and refine talent in a world where technology has made creative expression easy and accessible.
The enduring successes in the music industry have not been driven by ‘what was a hit last week’, but by recognizing and developing real artistry over the long haul. I hope that the upheavals in the record industry will lead to a reevaluation of what music means to us in the first place. Let’s not lose site of the prize in all this commotion.
What I’m not hearing about is the lack of compelling new music coming from the major labels. Even if the record business is able to adapt its practices, it is an industry based on imitation, not innovation. Without compelling music the most brilliant business models will still have nothing to sell.
There is a huge amount of great music popping up everywhere. The challenge is to filter and refine talent in a world where technology has made creative expression easy and accessible.
The enduring successes in the music industry have not been driven by ‘what was a hit last week’, but by recognizing and developing real artistry over the long haul. I hope that the upheavals in the record industry will lead to a reevaluation of what music means to us in the first place. Let’s not lose site of the prize in all this commotion.
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